Practice makes perfect

If it's possible to distill learning down to one idea it is this:

  

  

  • Start with what you know or what you can do.
  • Identify what you need to know or do next.
  • Practice that.
  • Hey, now you know something else!

 

And you've created a cycle in which every element is fed by the one before it.  

A journey in Listening - eight bar forms

So we've learned to listen to single notes rising and falling in pitch and we've learned about three important chords, the I the IV and the V. We've found them on our guitars, listened to them move around in cadences and heard them in action in a twelve bar blues. Now it's time to hear them at work in other songs and learn to recognise them for yourself.

A Journey In Listening - The Blues

So you'll recall from the previous blog that we are learning to identify by listening to them, three important chords: the tonic chord (I), the fourth chord in the scale (IV) and the fifth chord in the scale (V). 

To help you recognise these three important chords lets examine a little more closely the standard twelve bar blues progression. While there are variations on how we navigate these twelve bars the most basic version contains three lines, each of which has four bars and it looks like this:

Learning Music - A Journey in Listening

This is the first in a series of blogs aimed at demystifying the study of music using methods that I've found effective over many years.

While it can seem overwhelming to start with, in the end it comes down to unravelling the language that musicians use and connecting it to the music you hear, one step at a time.

 

To understand music theory you need to directly connect new concepts to musical examples you can hear.

 

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